Ongoings at The Candidate Journal is a space for short writings about the arts and other goings-on from a psychoanalytic perspective (movies, politics, books, or art exhibit reviews); interviews with psychoanalysts or psychoanalytically-oriented thinkers; and other experimental writing about psychoanalysis. Submissions are accepted on a rolling basis. If you are interested in submitting to Ongoings, please email email@example.com
Anne Arden McDonald: Rise, Fall, Float
Soho Photo Gallery, New York
8 March – 1 April 2017
Interview with NATASHA KURCHANOVA
Anne Arden McDonald is a photographer and a visual artist born in London, raised in Atlanta, Georgia, and living in Brooklyn. She began photographing at the age of 15, when she initiated a series of self-portraits, set and performed in abandoned buildings. At present, she is involved with process-intensive photography, making images in which chance is a crucial element of production. Her work has been exhibited widely in the United States and internationally and has entered major museum collections.
The series of images in this exhibition follow her self-portrait series. They have been taken with the Diana photo camera – a rudimentary plastic camera from the 1960s intended for private use. The camera produced images with soft focus, reminiscent of images by the Pictorialist school of photography at the turn of the last century. In this interview, the artist discusses the place of the exhibition in her career.
The Availability of the Analyst
In this forum on the Availability of the Analyst, Janice S. Lieberman, PhD, discusses the physical (rather than emotional) availability of the analyst and the ethical implications of the analyst’s frequent vacations, conference travel, and personal time off for analytic work. Introducing the idea of the analyst’s “work superego,” Lieberman asks, “what is the analyst’s responsibility to his or her patients other than analyzing?” Joseph Cancelmo, PhD, and Claudia Heilbrunn, MA, offer responses...
Interview - Beatriz Santiago Muñoz
by Natasha Kurchanova
Beatriz Santiago Muñoz is an artist from San Juan, Puerto Rico, whose work explores recuperation from trauma, regeneration, affect, and the possibilities of creating alternatives to habitual modes of communication through close attention to day-to-day interactions with people far removed from post-modern lifestyles. Her installation at The New Museum features a three-channel video (That which identifies them like the eye of the Cyclops), a 16mm black-and-white film (Black Beach/Horse/Camp/The Dead/Forces), and a collection of masks used for...
WHAT’S AT PLAY WHEN WE CAN’T PLAY?
by Margaret Fulton
In the solemn aftermath of the election, the previously unimaginable and unthinkable had become perhaps “too real” rupturing the boundary and space of our continuity of being, of our sense of self, our communal identities and our sense of “I-ness” in the world. Similar ruptures were felt in the boundaries between inner and outer realities, between the personal and the political, and between predictability and uncertainty. As my first patient of the day stated... continue reading
Film Review - Frances Ha
by Julie Futrell
At a time when hysteria has all but disappeared from clinical discourse and Lacan’s question of where all the great hysterics have gone seems particularly timely, Noah Baumbach and Greta Gerwig respond in their 2012 film, Frances Ha, that she is as alive and dissatisfied as ever. Indeed, the film—directed by Baumbach—captures hysteria at its finest, following twenty-something Frances as she trips and stumbles (literally and figuratively) through life... continue reading
About Town - Genesis Breyer P-Orridge and John Zorn
by Vanessa Sinclair
This year two of the most influential experimental/ avant-garde artists of our time, Genesis Breyer P-Orridge and John Zorn, are... continue
Film Review - Hannah Arendt
by Dr. Jessica Datema
Hannah Arendt is an impossible film about an impossible trial that demonstrates the impossibility of “understanding” or “explaining” the Holocaust... continue
Film Review - Fill the Void / Lemale et ha halal
by Manya Steinkoler
Rama Burshtein’s first film, Lemale et ha’halal” translated from the Hebrew as Fill the Void is beautifully filmed... continue
Film Review - Augustine, (2012) Alice Winocour
by Manya Steinkoler
It is surprising that a film about Augustine, the great hysteric immortalized in the extensive photographs and case presentations of the neurologist and professor of anatomical pathology... continue